Promoting the Bagpipe Revival since 1986
The Bagpipe Society
Various
- "The Journey of Askavlos" - an ethnomusicological docuemntary
- 25 Years of Blowout Saturdays
- 2017 AGM
- 2012
- 2013
- 2015
- 2016
- 2017
- 2021
- 2023
- A Bulgarian Fascination
- A Coade Stone Piper
- A Hungarian Fascination
- A new interpretation of the fully keyed sordellinas of Settala’s collection
- A Pig of Dumfries
- A Piper’s Appointment with FatE
- A slow boat to Sweden: creating my säckpipa over a mere twenty-seven years...
- A Tradition of Breaches: On the Renaissance of Bagpipes and Bagpipe Making in Austria
- A weekend with Callum and Matthias
- A wild bagpipe festival
- Alfranio’s Phagotus
- All Fingers and Thumbs
- All set for Glasgow!?
- Bagpipe images in British churches
- Bagpipers at the Tudor Court
- Bagpipers in the Dock*
- Bagpipers of the World!
- Bagpipes and all things Medieval
- Bagpipes at the Bate
- Bagpipes for the Norwegian Folk Tradition
- Bagpipes in Austria - A Story of Diversity
- Bagpipes in Lithuania: From historical facts to modern interpretations
- Blowout 2010
- Blowout 2015
- Blowout 2015 review
- Blowout 2016
- Blowout 2016
- Blowout 2017
- Blowout Report 2018
- Book Review: Dances from Arbeau’s Orchesographie Arranged by Lizzie Gutteridge
- Book Reviews
- Breton biniou pipers – historic
- Call for Papers - International Bagpipe Conference
- Calls and Responses
- CD Review
- CD Review: Rowly-Powly by Jeremy Kingsbury
- CD Review: Wessmanlandsbitar
- Chanter Spring 2019
- church carvings of Double Bagpipes
- Colin Ross Remembered
- Dave VanDoorne Remembered
- Decoration or Function?
- Do Hills Get Steeper as One Gets Older?
- Double and Triple Pipes
- Early 17th Century Bagpipes in Praetorius’s Syntagma Musicum II
- Early Bagpipes in a Wind Band
- End Drone
- End Drone: How I got hooked on pipes
- English Bagpipe Music of the 17th Century
- Electronic and Digital Bagpipes
- G.L.O.P. -- the Great Linseed Oil Project of 2015 (Or Pouring Oil on Troubled Turners)
- gaita and gajda - Musings on a Strange History of Names
- Grace Notes Winter 2020
- Grace Notes
- Grace Notes Winter 2023
- Grace Notes Spring 2023
- Grace Notes Winter 2022
- Grace Notes Winter 2021
- Grace Notes Summer 2020
- Grace Notes Spring 2019
- Grace Notes Winter 2018
- Grace Notes Summer 2018
- Grace Notes Winter 2017
- Grace Notes Autumn 2017
- Grace Notes Winter 2016
- Grace Notes Summer 2016
- Grace Notes Autumn 2015
- Grace Notes Spring 2015
- Grace Notes Summer 2015
- Griff Tunebook
- Identifying “The Duke of Northumberland's Piper”
- In Conversation with François Lazarevitch
- In Praise of Old Pipes
- In Search of the Missing Diple
- In the bag
- In the Bag
- In the Bag
- In the Bag
- In the Bag
- In the Bag
- In the Bag - Jon Swayne
- In the Bag - Paul Martin
- In the Bag - Pete Stacey
- In the Bag - Zofia Kolbe-Wojdyr
- In The Bag: Linsey Pollak
- In the bag: Olle Gälmo
- Invasion of the Zampognari
- Is This a Drone I See Before Me? On bagpipe iconography
- Latvian Bagpipes: Dūdas (Somas Stabules)
- Letters
- Letters
- Letters
- Lincolnshire, Lancashire and Scotch Bagpipes: Regional and Pastoral bagpipes in 17th Century England
- Medieval Bagpipes
- Macedonian Gajda – history, style and techniques
- Making a Medieval Smallpipe
- Making reeds for a boha in G
- Masquerading as Pipers, Irish and Scottish, 1770–1825
- Musette: A Passport to Various Worlds?
- Mysterious Symbolism of Askos
- Performers and Workshop Leaders
- Pewter Inlay on the Boha
- Piccola Banda di Cornamuse
- Pipe Music from Underground
- Pipers of the Maastricht Hours
- Pipes at the Ready
- Piping Down, The changing status of the bagpiper from 12th to the 17th centuries
- Piping on a Monadnock
- Piping Reports in the Irish Press
- Possible amalgamation with The Hurdy Gurdy Society?
- Pôsuträffen - The Annual Swedish Bagpipe Meeting
- Print your bagpipe
- Raeren Bagpipe Bottle & Jugs
- Ramsgate Buzz Preview
- Reconstructing the Strozzi Bagpipe
- Remembering Paul Saunders
- Review - Bla Bergens Borduner CD
- Review - Un infini sonore by Jean-Pierre Van Hees
- Review: Footed upon the Sod - Steve Saxton
- Review: Francois Couperin - Duets, Dave Rowlnds
- Review: Kathryn Tickell and The Darkening - Cloud Horizons
- Review: Se Vrativme: Macedonian Dances, by Orkestar Grupa “Pecalbari”
- Review: Stephane Mauchand - Oxymel
- Review: The Pibgorn Tunebook by Keith Lewis
- Reviews - The Early Folk Band: Lumps of Pudding
- rodents and bagpipes
- Southern English Border Pipes
- Scottish Smallpipes
- Säckpipa Workshop Weekend
- Sausage skins, bladders and bagpipes
- Secrets of the Website
- Settala’s Sordellina: Steps in Reconstruction
- Sordelline, Cornamuse e Musettes Conference
- Spotlight on ... Eric Montbel in conversation with Andrea Kirkby
- Spotlight on ... Gesine Bänfer and Ian Harrison
- Stiltwalking Bagpipers
- Stop Press: New Bagpipes are a Bosched Job – instruments in the paintings by Bosch
- Strakonice, where the Pipes Play
- Strange case of Bergamo and its Bagpipe
- Summer 2019 Articles
- The (17th century) Iain Dall Chanter links the past to the future
- The 6th IBO Conference
- The Amazing Airbags (plus more!)
- The bagpipe as an instrument of protest: early references and recent trends
- The Blowout, 3-5 June 2023
- The Brexit Rant
- The Burton Agnes Bagpiper
- The Eskin Bagpipe Apps
- The Galician Gaita in Havana (Part II)
- The International Bagpipe Collection in Spain
- The making of Wessmanlandsbitar
- The Maltese Żaqq
- The Man with the Golden Thumb
- The Musette de Cour from the Calvet Museum in Avignon
- The Polesworth Pipe
- The Revival of the Russian Bagpipe
- The Sourdeline of Manfredo Settala Part 2
- The Sourdeline of Manfredo Settala, a Milanese inventor in 1640. Part 1
- The Subgalaic Gaitas
- The Tailor Piper
- The Zhelbuaz: is this Kazakh bagpipe real?
- This is the Way
- This is the Way Part II
- Tools of the Trade
- Tools of the Trade: Goodacre's Razor - A Cut Below the Others
- Traditional Croatian Bagpipes
- What’s in a name
- Where to go next
- Why join The Bagpipe Society? A point of view.
- Wren Piping Hot Bagpipe Weekend
- Data Processing Notice (GDPR)
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