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2020 - CANCELLED
2022
2023
A
A new interpretation of the fully keyed sordellinas of Settala’s collection
A slow boat to Sweden: creating my säckpipa over a mere twenty-seven years...
Alfranio’s Phagotus
B
Bagpipers at the Tudor Court
Bagpipes in Colonial Mexico
Blowout ‑ 5th ‑ 7th June, 2020
Blowout 2011
C
Calls and Responses
CD Review - Jean-Claude Blank - Terre Lointaines
Chanter Spring 2019
E
Early Bagpipes in a Wind Band
English Bagpipe Music of the 17th Century
G
Gaitas-de-fole in Portugal and their connection to Galicia
Gaspard de Gueidan by Hyacinthe Rigaud
Grace Notes Spring 2019
I
I found a little nut tree lurking in the bag
Identifying “The Duke of Northumberland's Piper”
In the Bag - Ceri Rhys Matthews
L
Lincolnshire, Lancashire and Scotch Bagpipes: Regional and Pastoral bagpipes in 17th Century England
M
Massif Village Orchestra (MVO)
My Gaita Journey - as a maker and player
R
Reconstructing the Strozzi Bagpipe
Review: Duets suitable for two D bagpipes
S
Settala’s Sordellina: Steps in Reconstruction
Summer 2019 Articles
T
The Earning of Hatred
The Maltese Żaqq
The Müsa: Original Instruments and a Hypothesis on Scales and Tunings
The Music of Migration
The Muzelzak - Muchosa - Part 2
The Pastoral Pipes
The Sourdeline of Manfredo Settala Part 2
The Sourdeline of Manfredo Settala, a Milanese inventor in 1640. Part 1
The Zhelbuaz: is this Kazakh bagpipe real?
This is the Way Part II
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