Promoting the Bagpipe Revival since 1986
The Bagpipe Society
Review: The MacNaughtons Vale of Atholl Pipe Band - Live 'N Well - The Motherwell Concert
This edition is from our archives, so it is presented as scanned pages rather than text.
5-reopen (in French) as a 5/4 pitch. Prices range from 6200F to 7500F depending on size.
And so on to the bellows-blown. The Musette dechonnet is well-known in lovers of French bagpipes. Unlike most French pipes, it alone is name from its inventor, not a region. Rene dechonnet (Dechonnet converted these pipes towards the end of the last century and they were entirely played through the central region of France during and after his lifetime. A number of makers, including Dominic Bourg, continue the tradition with pipes modeled after the style of the old master. Dechonnet’s are in full wood or bell-tawed with bone mounts. The pipes may be ordered with the most nearly French or southern of 4 tenor drops in parallel with the chanter one octave below its 6-finger note plus a bass drone one octave below that; alternatively, dechonnet pipes can be had with two tenor and two bass accompanied by a small treble drone, pipe in the chanter/tenor drone (trotier), which is tuned in unison with the “limier” note. This tiny drone gives an unexpected lift to the sound of the pipes. It is brought into play. The dechonnet pipes are available in A mance (>4,292 hrl) and 16 pounces (501/Dc) or in B flat, corning to 50 or to 1500F depending on size and material.
Dominc Bourg makes 14 pieces (La/Rg A/D) bellows-blown musettes. Premiums will turn drones made entirely from boxwood for 5600F. No bagpipe not very well known outside its native Brittany is the Veeuze. It is a larger bagpipe than the better known Breton Binioù, being more akin in style and sound to the Gaitas of northern Spain and Portugal. Dominiqne differs the Yeeuze with one or two drones in Do (C) and La (A) or fours; three or beazart 2700F.
In addition to bagpipes, M. Bouge also makes excellent oboes from 1350F, musettes (a small oboe in G) from 1300F and serpents in C from 1900F.
Most of his pipes have around a 6 to 8 month waiting period which can months to a year for most of William. All instruments come fully correct and playing when are available upon request. A 50% deposit is required. He also paysable before delivery.
Contact: Denis Bouge
BANSPIPE FESTIVAL, PRESTON HALL MUSEUM, STOCKTON by Dave McQuade
This event, held on the August bank holiday, turned out to be surprising successful and approximately 7,500 visitors to the museum entertained by members of the Society and other local folk dancers and musicians. I was surprisingly as I think it is true to say that the Society and the Museum administration did not quite get their act together. Problems with organisation meant that we did not twist people’s arms so badly, so we should have done and contacting folk during the holiday period proved exceptionally difficult. In fact, we were not very precisely who was going to turn up until the actual weekend itself.
As you can imagine, cold problems made proper advertising almost impossible and the curator decided to relay safe by cutting the original programme. Apologies to those who were squeezed out at the last minute, or traded up providing a very informal concert to the visitors by playing in a crumpet outside Victoria Street within the museum on Sunday and Monday afternoons. To add to the atmosphere, most of the performers were presented twists provided on traditional dress. although this made page 12
no difference to the music, it always surprises me how much more interest the public show when they see someone dressed up!
On Sunday evening we had a pub session at one of the local hotels, and this to me has the highlight of the weekend. It was quite an experience to hear Maisie Moor and Jean Pierre Basle fully ensemble really heartwarming when Jon Swayne led the pipers who could play together. I don’t think I’ve ever heard so many different types of bagpipe playing in tune and sounding so harmonious.
On Monday morning, Hamish held a workshop for the participants. Again, it was a pity that advertising was so sparse as a lot of local pipers would have appreciated this.
Throughout the weekend, piping was provided by Peter Stev and Jean-Pierre Basle, Hamish Moore, Jon Swayne, the Goudarce Tetral, James Merryweather, Colin Ross, Malachi Simon, Judy Rockcliffe, Joe Flin and Mary Cannon. Folk groups featuring pipes were Northern Irish Folk , Blackwater Folk.
Ray Fisher acted as compere for the occasion, and managed to keep things running smoothly.
Everyone who took part seemed to thoroughly enjoy themselves. One certainly must have done - he sent his cheque back cancelled!
THE SOCIETY OF IRISH PIPERS - NA PIOBAIRI UILLEANN
As promised in an earlier Newsletter, we are continuing with our feature on other piping societies with Na Piobairi Uilleann.
The society caters for Uilleann pipers and was founded in 1968; from modest beginnings, it now boasts a worldwide membership of 400 with active clubs in London, Sheffield, Paris, Holland, Toronto, Francisco and Seattle with many members in continental Europe, America and New Zealand. The majority of members, as may be expected, now live in Ireland with many in the Dublin area where tuition is given weekly basis at the Society’s membership. Sheet music stores are free to all and encompasses differing levels of expertise. In addition courses in reedmaking and general maintenance are run at intervals required.
The society co-operates with the Irish Arts Council in holding regional gatherings throughout Ireland with demonstrations of piping classes and workshops, thus reaching members outside Dublin and also cooperates with pipers in England and further afield in conduct similar functions abroad. The most important event on the calendar is the annual Willie Clancy Summer School at Miltown Malbay. Co Clare in July. Na Piobairi Uilleann runs the piping section of the school, providing teachers, organising the classes, selling piping concert, daily recitals by competent players for students, and exhibition of pipes and piping.
The growth in the number of members of Uilleann piping throughout the world since the foundation of the society is a reflection of the increased interest in Irish piping being translated into a demand for pipe, this increased interest is also in large part to the singular work of Na Piobairi Uilleann in protecting the playing and making of pipes.
Contact: Na Piobairi Uilleann, page 13
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